A number of years ago, I put together a book-length work of erasure poetry, BAD THINGS HAPPEN. I constructed it as a form of catharsis during a time of difficult and heart-breaking events in my personal life. But now with the world situation as it is, I suspect it might speak new and fresh words into current events. I haven’t reread the book in light of the pandemic, but I may take a few minutes later to see what new connotations emerge.
An erasure is a “found” poem in which the poet works with text from an original work to create something new. An erasure is often created in response to, or in conversation with, the original source text. Through purposeful decision-making, the erasure poet will subvert, challenge, question, or build upon the meaning and themes in the source text. Unlike a blackout poem (which presents the original redacted text with the new poem as a visual art form), an erasure constructs the new work into lines/stanzas, thus creating something separate from the original source text.
BAD THINGS HAPPEN is a book-length collection of erasure poems constructed in response to the book, Lord, Where Are You When Bad Things Happen? by Kay Arthur. Arthur’s book is a daily Bible study examining questions about the role of God in difficult life events.
While creating the works in BAD THINGS HAPPEN, the author sought to take the viewpoint of someone who doesn’t claim the infallibility of the Bible or even necessarily believe in any sort of god. The view is that the reality in life is bad things happen. Truly bad things happen. Even evil things.
The erasure poetry in BAD THINGS HAPPEN doesn’t necessarily reflect the thoughts or opinions of the poet, but are offered as food for thought. This work is mainly an exercise in self-expression and creative experimental writing.